Bruce Yardley

Works
  • Bruce Yardley, CORNER CAFE, ILE ST LOUIS
    Bruce Yardley
    CORNER CAFE, ILE ST LOUIS
    Oil on canvas
    40 x 30 in
    101.6 x 76.2 cm
    £ 9,000.00
  • Bruce Yardley, LIGHTS COMING ON, GRAND CANAL, VENICE
    Bruce Yardley
    LIGHTS COMING ON, GRAND CANAL, VENICE
    Oil on board
    16 x 24 in
    40.6 x 61 cm
  • Bruce Yardley, PALLADIAN BRIDGE AND RIVER NADDER
    Bruce Yardley
    PALLADIAN BRIDGE AND RIVER NADDER
    Oil on board
    12 x 20 in
    30.5 x 50.8 cm
  • Bruce Yardley, RED ROSES
    Bruce Yardley
    RED ROSES
    Oil on canvas
    20 x 16 in
    50.8 x 40.6 cm
  • Bruce Yardley, CAFFE QUADRI CONTRE-JOUR
    Bruce Yardley
    CAFFE QUADRI CONTRE-JOUR
    Oil on board
    8 x 16 in
    20.3 x 40.6 cm
    £ 1,950.00
  • Bruce Yardley, DAPPLED LILIES
    Bruce Yardley
    DAPPLED LILIES
    Oil on board
    20 x 16 in
    50.8 x 40.6 cm
    £ 3,750.00
  • Bruce Yardley, EARLY MORNING, GRAND CANAL
    Bruce Yardley
    EARLY MORNING, GRAND CANAL
    Oil on canvas
    16 x 24 in
    40.6 x 61 cm
    £ 4,250.00
  • Bruce Yardley, FLOWERS AND MAGAZINES
    Bruce Yardley
    FLOWERS AND MAGAZINES
    Oil on canvas
    24 x 16 in
    61 x 40.6 cm
    Reserved
  • Bruce Yardley, FLOWERS ON THE WINE TABLE
    Bruce Yardley
    FLOWERS ON THE WINE TABLE
    Oil on canvas
    20 x 16 in
    50.8 x 40.6 cm
    £ 3,750.00
  • Bruce Yardley, GOTHIC AND CLASSICAL, GRAND PLACE
    Bruce Yardley
    GOTHIC AND CLASSICAL, GRAND PLACE
    Oil on canvas
    20 x 24 in
    50.8 x 61 cm
    £ 4,750.00
  • Bruce Yardley, GRAND CANAL SPARKLE
    Bruce Yardley
    GRAND CANAL SPARKLE
    Oil on board
    8 x 20 in
    20.3 x 50.8 cm
    £ 2,250.00
  • Bruce Yardley, HORSEGUARDS
    Bruce Yardley
    HORSEGUARDS
    Oil on board
    12 x 24 in
    30.5 x 61 cm
    £ 3,450.00
  • Bruce Yardley, MULLIONED WINDOWS, GRAND PLACE
    Bruce Yardley
    MULLIONED WINDOWS, GRAND PLACE
    Oil on canvas
    20 x 30 in
    50.8 x 76.2 cm
    £ 5,750.00
  • Bruce Yardley, RED JACKET, PIAZZA SAN MARCO
    Bruce Yardley
    RED JACKET, PIAZZA SAN MARCO
    Oil on board
    20 x 16 in
    50.8 x 40.6 cm
    £ 3,750.00
  • Bruce Yardley, SALISBURY CATHEDRAL FROM MUSEUM CAFE
    Bruce Yardley
    SALISBURY CATHEDRAL FROM MUSEUM CAFE
    Oil on board
    20 x 12 in
    50.8 x 30.5 cm
    £ 2,950.00
  • Bruce Yardley, ST MARY LE STRAND, FULL SUN
    Bruce Yardley
    ST MARY LE STRAND, FULL SUN
    Oil on canvas
    24 x 20 in
    61 x 50.8 cm
    £ 4,750.00
  • Bruce Yardley, SUN UP, GRAND CANAL
    Bruce Yardley
    SUN UP, GRAND CANAL
    Oil on canvas
    20 x 24 in
    50.8 x 61 cm
    £ 4,750.00
  • Bruce Yardley, TREE-CANOPIED CAFE, ILE ST LOUIS
    Bruce Yardley
    TREE-CANOPIED CAFE, ILE ST LOUIS
    Oil on board
    16 x 16 in
    40.6 x 40.6 cm
    £ 3,100.00
  • Bruce Yardley, DEGREE GOWNS, OXFORD
    Bruce Yardley
    DEGREE GOWNS, OXFORD
    Oil on board
    12 x 20 in
    30.5 x 50.8 cm
    Sold
Biography

Bruce Yardley, born 1962, has been a full-time professional painter for twenty-five years, with over forty one-man shows to his name, mainly at UK galleries, but also at galleries in the US, Canada and New Zealand. He is the son of the well-known watercolourist John Yardley, who was a popular exhibitor here at Wykeham Gallery in the 1980s and 1990s, though in contrast to his father, Bruce paints exclusively in oil.

 

Bruce Yardley’s paintings fall firmly within the English tradition of tonally sensitive Impressionism. His principal concern, like that of the original French Impressionists, is with light, and over the years he has evolved an expressive and painterly style to capture the wonderfully varied effects of light in all its forms, a style that avoids the deadening hand of descriptive detail. The influence of Monet, Sickert and Whistler is readily apparent, and Bruce discusses these men and other inspirations in his recently published book, Painting like the Impressionists.

 

Bruce's subject matter covers a broad theatre: cityscapes of Europe and New York in sunshine and rain, interiors and still life. Unsurprisingly for a disciple of Monet, Sickert and Whistler, Bruce has a special fondness for Venice, where the ‘envelope of light’ (the phrase is Monet’s) is so distinctive.